This piece is based on a poem by Miriam Wei Wei Lo called “Home”. Miriam’s poem is not a placid description of place but a journey of longing and wrestling with homesickness. It explores multiple cultural identities alongside Christian faith. Home is also described as ‘not yet’ and ‘now’; an ideal and an incomplete reality; found with people and in a Person.

Miriam’s poem is comprised of three poems which you can find here:https://miriamweiweilo.com/poetry/home/

The piece also has three parts and starts the journey with a longing melodic theme in the bassoon. It then explores the places mentioned in the first of the three poems which then leads into the more idyllic picture of the second poem.

It is interrupted by an explosion of sound in the piano representing the explosion of light in the second poem. This leads naturally into a dream-like section heavily influenced by Ravel, which ends somberly “Like death, in all its finality”. Out of that section emerges a theme in the cello signifying “Someone is at work in me”. This theme is developed and combined firstly with the dream-like themes, and secondly with the earlier lyrical themes. It slowly leads to a climax which highlights the ridiculous nature of our tendency to material accumulation, like having “Enough books for a dowager empress, or medieval king” which is referenced in the third poem.

The final section, once again, returns to the melodic theme of longing, played in the bassoon, coupled with the piano’s theme from the dream-like section, but it is reworked as the tranquil swaying of the blue plumbago.

This piece was aired on ABC Radio National’s Soul Search on 13th November 2025 as part of their interview of Miriam and discussion of her poem “Home”:https://www.abc.net.au/listen/programs/soul-search/poetry-and-the-complications-of-home-with-miriam-wei-wei-lo/105872122